马扬芝，beat365官方网站作曲系副教授，硕士研究生导师，国家“万人计划”青年拔尖人才。美国作曲家、作家、出版社协会会员（ASCAP）,美国曼哈顿音乐学院作曲与作曲技术理论博士(D.M.A.)、硕士(M.M.), 奥地利格拉茨音乐与表演艺术大学作曲文凭(Post-graduate Certificate), 上海音乐学院作曲系视唱练耳专业硕士、学士，师从于蒋维民教授、周温玉教授。
2010年起跟随德国作曲家、理论家Reiko Fueting学习作曲，后师从于奥地利著名作曲家Beat Furrer。她的作品曾多次上演于各国际音乐节，包括荷兰Gaudeamus国际现代音乐节、捷克Ostrava国际新音乐节、意大利Cortona Session for New Music 新音乐节等；她所合作的乐团包括荷兰阿帕多恩Orkest de ereprijs新音乐团、捷克雅纳切克爱乐乐团、荷兰国家青年交响乐团、美国堪萨斯大学（KU）新音乐团与曼哈顿音乐学院交响乐团等。2013年获美国作曲家、作家与出版社协会(ASCAP) “莫顿·古尔德”(Morton Gould) 青年作曲家奖。
目前出版与发表的教材、著作、译著、论文与在线课程包括：
1. 《多音色三声部旋律听写教程》（上海音乐学院出版社，2010）；
2. 《20世纪和声研究（一）——1914年以前的法国和声》（上海音乐学院出版社，2018）；
3. 《20世纪和声研究（二）——当代和声》（上海音乐学院出版社，2018）（审校）；
4. “两极化音乐形态中听觉现象的差异”（《音乐艺术》2018年第2期）；
5. 《中英双语音乐理论概述》（上海音乐学院出版社，2019）（北京市教委优质教材)；
6. 《通向帕尔纳索斯的阶梯——对位研究》（beat365官方网站出版社，2021）；
7. 《对位手册——基于16世纪实践》（beat365官方网站出版社，2022）；
8. 《中英双语音乐专题分析——曲式中的对称与比例》（beat365官方网站出版社，2022）；
9. 《认知当代欧洲音乐剧场的八种视角》（央音在线，2022）
10. 《当代音乐的听觉特征及其训练路径探索》（beat365官方网站出版社，2023）
11. 《聆听曲式——读谱分析与听觉分析》（上海音乐学院出版社，2024）
所负责的课题与项目包括：
1. 北京市与中央共建人才项目——高校教学改革创新项目；
2. 北京市与中央共建人才项目——在线开放课程；
3. beat365官方网站出版社西方作曲技术理论经典译丛
Yangzhi Ma, Associate Professor and Graduate Supervisor of the Composition Department at the Central Conservatory of Music. She is a member of the American Society of Composers, Authors and Publishers (ASCAP). She received her doctoral degree (D.M.A.) and Master’s degree (M.M.) in Composition at the Manhattan School of Music, a Postgraduate Certificate in Composition at the University of Music and Performing Arts in Graz, Austria, and another Master of Music (M.M.) and Bachelor of Arts (B.M.) in Aural Skills Teaching in the Composition Department at the Shanghai Conservatory of Music, studied with Prof.Weimin Jiang and Prof. Wenyu Zhou .
Since 2010, she has studied composition with German composer and theorist Reiko Fueting, and later with Austrian composer Beat Furrer. Her works have been performed at various international festivals, including the Gaudeamus International Festival of Contemporary Music in the Netherlands, the Ostrava International Festival of New Music in the Czech Republic, and the Cortona Session for New Music in Italy, among others. She has collaborated with orchestras such as the Orkest de ereprijs in Apeldoorn, the Janacek Philharmonic Orchestra in the Czech Republic, the National Youth Orchestra of the Netherlands, and the KU New Music Ensemble and the Manhattan School of Music Symphony Orchestra. In 2013, she received the ASCAP Morton Gould Award for Young Composers.
Her current publications include:
1. A Tutorial on Dictation of Multi-Timbre Three-Part Melodies
Shanghai Conservatory of Music Publishing House, 2010;
2. 20th Century Harmony Studies (I) - French Harmony before 1914
Reviewer of Chinese Translation
Shanghai Conservatory of Music Publishing House, 2018;
3. 20th Century Harmony Research (II) - Contemporary Harmony
Reviewer of Chinese Translation
Shanghai Conservatory of Music Publishing House, 2018;
4. “Differences in Aural Phenomena in Polarized Musical Morphology”
Journal of Music Art, Shanghai Conservatory of Music, No. 2, 2018;
5. Overview of Music Theory in English and Chinese
Shanghai Conservatory of Music Press, 2019;
(Awarded the Excellent Undergraduate Textbook by Beijing Municipal Education
Commission);
6. The Study of Counterpoint - From Johann Joseph Fux’s Gradus ad Parnassus
Chinese Translation, Central Conservatory of Music Press, 2021;
7. A Manual of Counterpoint - Based on 16th Century Practice
Chinese Translation, Central Conservatory of Music Press, 2022;
8. Music Analysis in English and Chinese - Symmetry and Proportion in Composition
Chinese Translation, Central Conservatory of Music Press, 2022;
9. “Eight Perspectives on Contemporary European Music Theatre”
Central Conservatory of Music Online Course, 2022;
10. Aural Characteristics of Contemporary Music and Its Training Methods
Central Conservatory of Music Publishing House, 2023
11. Hearing Forms: Analysis with and without Score
Shanghai Conservatory of Music Publishing House, 2024
Her researching projects and programs Including:
1. Beijing and the Central Government Co-project
Teaching Innovation in Higher Education”, 2019.
2. Beijing and the Central Government Co-project
Online Open Course in Higher Education”, 2019.
3. Central Conservatory of Music Research Funding Program, 2020.
4. Translation Series of Classic Western Music Theory Treatise, since 2021.
Central Conservatory of Music Press.
